a.baksic@alu.unsa.ba
m.begovic@alu.unsa.ba
a.djelilovic@alu.unsa.ba
m.finci@alu.unsa.ba
b.hadzihalilovic@alu.unsa.ba
c.hadzimejlic@alu.unsa.ba
a.hadzimejlic@yahoo.com
f.hadzimuhamedovic@alu.unsa.ba
s.hrisafovic@alu.unsa.ba
i.hrkas@alu.unsa.ba
a.isanovic@alu.unsa.ba
d.karic-hadziahmetovic@alu.unsa.ba
f.libovac@alu.unsa.ba
j.mujkic@alu.unsa.ba
s.popovac@alu.unsa.ba
e.salihovic@alu.unsa.ba
a.suljevic@alu.unsa.ba
m.sehic@alu.unsa.ba
s.teskeredzic@alu.unsa.ba
d.antonic@alu.unsa.ba
s.drinovac@alu.unsa.ba
j.gavrankapetanovic@alu.unsa.ba
dj.kustric@alu.unsa.ba
t.milakovic@alu.unsa.ba
a.mrzljak@alu.unsa.ba
a.mujkic@alu.unsa.ba
r.papista@alu.unsa.ba
d.pozderac-lejlic@alu.unsa.ba
d.premec@alu.unsa.ba
n.salikhovich@alu.unsa.ba
i.simcic@alu.unsa.ba
d.sobot@alu.unsa.ba
d.fejzic@alu.unsa.ba
n.hasanbegovic@alu.unsa.ba
l.jerlagic@alu.unsa.ba
l.neimarlija@alu.unsa.ba
a.karailo@alu.unsa.ba
e.mazrak@alu.unsa.ba
a.bogojevic@alu.unsa.ba
a.hadzic@alu.unsa.ba
a.handzic@alu.unsa.ba
a.kadic-sacic@alu.unsa.ba
v.prodanovicdurmisevic@alu.unsa.ba
t.rizvanovic@alu.unsa.ba
i.skopljak@alu.unsa.ba
d.stanic@alu.unsa.ba
s.suceska@alu.unsa.ba
n.seceragic@alu.unsa.ba
d.secerbajtarevic@alu.unsa.ba
i.zalica@alu.unsa.ba
UNIVERSITY OF SARAJEVO
ACADEMY OF FINE ARTS
Obala Maka Dizdara 3, 71000 Sarajevo
Bosnia and Herzogovina
Phone: +387 (0) 33 210 369
alu@alu.unsa.ba
INTERNATIONAL COOPERATION
Graduated from the Department of Painting at the Academy of Fine Arts in Sarajevo, in 1991.
Appointed TA at the Department of Painting in 1997; started a postgraduate programme at the
same department and completed it in 2003 with a master’s degree in painting. In 2008 promoted to assistant professor of drawing and painting, and associate professor 2013.
Promoted to full professor in 2019.
Member of ULUBH / Association of Visual Artists of BiH / since 1996.
Selected individual exhibitions: 2018 – Gallery ALU, Under construction / crtež u toku + video works, 2012 – Roman Petrovic Gallery, Under Construction / crtež u toku ’12 /Under Construction / Drawing Under Way ’12; 2004 – Roman Petrovic Gallery, Under Construction / crtež u toku ’04 / Under Construction / Drawing Under Way 04; 2003 – ALU Gallery, Sarajevo, Na horizontu… 00-02 / On the Horizon 00-02; 2001 – Roman Petrovic Gallery, Sarajevo, Dijalog /Dialogue (with Amela Hadžimejlic); 1997 – National Gallery of BiH, Sarajevo, Silueta i sjenka / Silhouette and Shadow ; Gabrijel Gallery, Sarajevo, Na horizontu se nešto dešava / Something Is on the Horizon; 1995 – Gabrijel Gallery, Sarajevo, Crteži / Drawings; 1994 – French Cultural Centre Sarajevo, Crteži i grafike / Drawings and Prints (with Adnan Begic).
Selected group exhibitions: 2004 – Week of Bosnia-Herzegovina Culture at the United Nations, New York, USA; 2003 – National Gallery of BiH, Sarajevo, Print Maps ’92,’93, ‘94, ’95; 2002 – The Sidney Mishkin Gallery, New York, USA, In Memory: The Art of Afterward; 2001 – Stadtmuseum, Graz, Austria, Unique Sign – Unique Location, Mostar; 1999 – Roman Petrovic Gallery, Sarajevo, Izložba grupe 10 + / Exhibition of the 10+ Group/; 1998 – Fahri Koruturk Salon, Ankara, Turkey, Izložba Udruženja likovnih umjetnika BiH / Exhibition of the Association of Visual Artists of ВіH; 1997 – Culhan Art Centre Sarajevo, Meeting Point; Modern Gallery, Rijeka, Croatia, Bijenale mladih Youth Biennale; 1996 – National Gallery of BiH, Sarajevo, 50 godina ULUBiH-a / 50 Years of the Association of Applied Artists of BiH; 1995 – Collegium artisticum City Gallery, Sarajevo, Project Bridge Houston-Sarajevo-Houston; 7h International Portrait, Sketch and Print Biannual Tuzla ’95, Tuzla; 1994 – Collegium artisticum City Gallery, Sarajevo, Sarajevo MCMXCIV; National Gallery, Ljubljana, Slovenia, Umjetnici Sarajeva za slobodnu BiH / Sarajevo Artists for a Free ВіН; 1993 – Ratna grafcka mapa mladih autora / War Print Maps by Young Artists, project, Sarajevo, Strasbourg, Paris, Vienna..; 1991 – 6th Yugoslav Student Drawing Biannual, Belgrade.
Selected awards: Drawing Award at exhibitions at the Collegium artisticum City Gallery in 2000, 2007, 2013; Roman Petrovic Award 2011.
Rođen u Mostaru 23.09.1957. godine. Akademiju likovnih umjetnosti u Sarajevu završio 1979. godine, a na Fakultetu likovnih umjetnosti u Beogradu magistrirao Slikarstvo 1987. godine. Od 1997. do 2014. godine radio na Odsjeku likovnih umjetnosti, Nastavničkog fakulteta Univerziteta ”Džemal Bijedić”u Mostaru, a od 2014. godine redovni je profesor za predmete Crtanje i Slikanje na Nastavničkom odsjeku Akademije likovnih umjetnosti u Sarajevu.
Asim Đelilović was born in Vitez in 1964. He graduated in 1991, and received his master’s degree in 2004 in the class of prof. Zlatko Ugljen at the Product Design Department of the Academy of Fine Arts in Sarajevo.
At the Academy of Fine Arts, he was engaged in the Department of Product Design: – as an assistant (1999), – senior assistant (2004), – assistant professor (2009). – associate professor (2014).
He was elected to the position of full professor in the subjects Drawing 1 and 2, Design Drawing 1-4, and Presentation Drawing in January 2020.
He was the head of the Product Design Department in the 2014/15. In the period from June 2006 to October 2010, he served as the president of the artistic council of ULUPUBIH (Association of Fine Artists of Applied Arts and Designers of Bosnia and Herzegovina) – a professional association that gathers designers and applied artists from all over Bosnia and Herzegovina.
He was a member of the jury for the awarding of professional awards (Collegium artisticum 2019 – for the field of design), a member of the program committee of several professional events (Sarajevo Green Design Festival 2009/2010, SarajevoOFuture 2019) and a reviewer (ICOMOS 2019).
He is the winner of several Collegium artisticum awards in the field of graphic design, as well as the Grand Prix Collegium artisticum award for 2005.
In his pedagogical work, he also achieved international cooperation with the universities in Vienna – Akademie für Kunstangevante, class of Paolo Piva and Borek Sipek (2001), and the university in Ljubljana – Faculty of Architecture, subject led by Assoc. Dr. Peter Marolt (2003, 2010), and the Faculty of Architecture of the University of Zagreb, subjects Drawing and Plastic Design (doc. Ana Martina Bakić, 2017).
He is a member of the Consultative Committee of the international art platform Tabularasa Transnational Art based in Istanbul, which gathers over 40 artists from 27 countries
( http://tabularasa-art.com/consultative comitee ).
His artistic work is public and available at the web address: ( www.asimartworks.com).
He is the founder of the Museum in Exile (www.museuminexile.com) – a platform for documenting and promoting design in Bosnia and Herzegovina in 2015.
He has published several books, including: Design drawing and artistic interpretations, Mas media Sarajevo, 2013 (first edition); and the second updated edition of the same book in September 2020 (https://issuu.com/asimdjelilovic/docs/dizajnerskicrtez2020), as well as, Design drawing in a digital environment, Drawing, Painting, Sculpting, eBook (https://issuu.com/asimdjelilovic/docs/asim_digitalno_-_2019), 2019.
As a curator, he organized the exhibition of works by Milton Glaser from the collection of the Museum in Exile at the BiH Art Gallery in Sarajevo (February 5-29, 2020), as well as the exhibition of Čedomir Kostović (October 6-29, 2022).
His work was included in the book: Liz McQuiston, Protest! – A History of Social and Political Protest Graphic, Princeton University Press, New Jersey, 2019.
The works of this author can be found in the collections of: Art Gallery of Bosnia and Herzegovina Sarajevo, Zavičajni muzej Travnik, Museo Sperimentale d’Arte Contemporanea (MU.SP.A.C) L’Aquila (Italy), and private collections in Europe (Austria, Slovenia, Serbia , Turkey), the United States of America and Japan.
Bojan Hadžihalilović je diplomirao 1989. na odsjeku grafički dizajn kod profesora Mladena Kolobarića, magistrirao 2003. kod profesora Stane Bernika. Prije 20 godina bio jedan od osnivača dizajnerskog studio – Design TRIO Sarajevo (zajedno sa Dalidom Hadžihalilović i Lejlom Mulabegović Hatt). U početku se studio bavio dizajnom omota za ploče, News magazina, pozorišnih i filmskih plakata, knjiga…
Iza rata formiraju agenciju Fabrika-Sarajevo koja se bavi dizajnom, kompjuterskom grafikom, TV animacijom, produkcijom TV spotova i marketing komunikacijama.
Radovi grupe Trio i Fabrika su publikovani u magazinima: “Graphis”, “Print”, “How”, “Step inside Design”, “Life”, “Newsweek, “The Face”, “Creative Review”, “Art Press”, “Print”, “Flash Art”, kao i publikacijama “Anatomy of Design”, “Innovative Promotions at Work”, “The Design of Dissent”, “Graphic Agitation II”, “Evil doesn’t live Here”, “Political posters in Central and Eastern Europe 45-95”, “Bound les Borders”.
Bojan Hadžihalilović predaje na Akademiji Likovnih Umjetnosti u Sarajevu, odsjek grafički dizajn.
Prof. Dr. Ćazim Hadžimejlić is Full Professor at the Department of Conservation and Restoration of the Academy of Fine Arts of the University of Sarajevo.
Prof. Ćazim Hadžimejlić was born in 1964 in Zenica, Bosna and Herzegovina. He finished his bachelor’s degree in 1991 at the Faculty of Applied Arts of the “Mimar Sinan” University in Istanbul, Turkey, and in 1994, his postgraduate studies at the Department of Calligraphy (Faculty of Fine Arts) of the Marmara University in Istanbul with a master’s thesis titled Calligrapher Jesiri-zade Mustafa Izzet-efendi, instigator of talik style, under the supervision of Prof. Dr. Muhittin Serin. In 1997, he got his PhD degree on History of Art and Archeology at the Institute of Social Sciences of “Mimar Sinan” Fine Arts University, with a thesis titled “The importance of the precious books of the Gazi Hüsrev-beg library collection for Ottoman bookbinding and their preservation”, under the supervision of Prof. Dr. Zeki Sönmez. At this university he specialized through two different postdoctoral works: in 1999, in the fields of Pathology, Conservation and Restauration of books under the supervision of Prof. Dr. Sadet Gazi, and in 2001 in the fields of Bookbinding styles and Book Arts, under the supervision of Prof. Dr. İslam Seçen; while through other two postdoctoral works simultaneously at “Mimar Sinan” Fine Arts University and at IRCICA (Research Centre For Islamic History, Art and Culture) in 1999 he specialized in Talik and Rika’a Calligraphy styles under the supervision of Prof. Dr. Alija Alparslana, and in Sulus and Nesih Calligraphy styles under the supervision of master calligrapher Dr. h. c. Hasan Çelebi.
In the ten years that go from 1992 to 2002, Prof. Dr. Ćazim Hadžimejlić was lecturer at the Department of Book Arts, Conservation and Restauration, “Mimar Sinan” University. Since 2000 he has worked as Professor of a group of subjects on Conservation and Restauration, Book Art and Calligraphy at different departments of the Academy of Fine Arts of the University of Sarajevo, and since 2004 he teaches theoretical subjects on History of Art at the Department of History of the Faculty of Philosophy of the University of Sarajevo, while since 2014 he also teaches and coordinates core subjects on Conservation of Artistic and Cultural Heritages at the graduate and undergraduate degree on Interdisciplinary Studies: Conservation and Restoration, in mutual collaboration with both the Academy of Fine Arts and the Faculty of Natural Sciences and Mathematics of the University of Sarajevo. Since 2014. he is lecturer in Calligraphy at the Department of Arabic language and Literature of the University of Zenica.
To date, Prof. Dr. Ćazim Hadžimejlić has held 50 solo exhibitions, participated in 119 collective exhibitions worldwide, and gave talks in more than 80 international and national conferences, as well as organized many of them. As an acknowledgment for his contribution to science, art, and the conservation and protection of the cultural heritage, he received more than 83 public recognitions.
As part of his scientific and cultural work, he is also actively involved in collecting, compiling, translating and publishing valuable written material. Up to now, he has published 85 academic papers on calligraphy, conservation and restauration, cultural heritage and Islamic world, as well as translated the book Basri Baba Nefesleri – Hasan Basri Tapdik Baba (Yedi Iklim, Istanbul, 2001) from Ottoman Turkish into Bosnian, and published as author four encyclopedic books: Umjetnost islamske kaligrafije [The art of islamic calligraphy] (ITD „Sedam“, Sarajevo, 2009), Umjetnost islamskog knjigovestva [The art of Islamic bookbiniding] (ITD „Sedam“, Sarajevo, 2011) and Ebru – umjetnost slikanja na vodi [Ebru – the art of painting on water] (Connectum, Sarajevo, 2014), 40 Bosanskohercegovačkih Mushafa [ 40 Bosnian and Herzegovian Mushafs] (Blicdruck, Sarajevo, 2022).
In 2003, Ćazim Hadžimejlić initiated the project of a periodic magazine on historical heritage, Tasawwuf and culture, named Kelamu’l Šifa’ [Healing words], of which he is the editor in chief and where he published many of his scientific works on the history and culture of Islam.
Ćazim Hadžimejlić is author of many decorative works on numerous sacral and civil places, as well as he has worked on a big number of projects regarding conservation and restoration in museums, libraries, institutes and private collections, both in Bosnia and Herzegovina and abroad. Resulting from this work, he opened in Živčići-Vukeljići the museum “Hafiz Musa Kjazim”, whose exhibits, according to confirmed historical and artistic valorizations, represent an overview of Bosnia and Herzegovina’s historical, cultural and artistic heritage.From 2008 he is member of the Association of Fine Artists of Bosnia and Herzegovina (Udruženja Likovnih Umjetnika Bosne i Hercegovine, ULUBiH).
1969. rođena je u Ljubljani, Slovenija.
1975 – 1987 Završila je osnovnu školu i Školu primijenjenih umjetnosti u Sarajevu -Odsjek za zidno, scensko i dekorativno slikarstvo.
1991/1992. Dobitnik je zlatne značke Univerziteta u Sarajevu za visoki prosjek ocjena tokom četverogodišnjeg studija.
1993. diplomirala je na Akademiji likovnih umjetnosti u Sarajevu, na Odsjeku za grafiku sa najvišom ocjenom.
1994. boravi u Velikoj Britaniji gdje pohađa specijalne studije kod profesora Mike Hope-a na Odsjeku za grafički dizajn, Nottingham Trent University, Nottingham,UK
1995. boravi u Turskoj, gdje je četiri mjeseca bila gost predavač na izbornom predmetu Umjetnost, Bogazici University u Istanbulu.
1996. postaje član Udruženja likovnih umjetnika Bosne i Hercegovine
1996 – 1998 pohađa postdiplomske studije iz grafike pod mentorstvom akademika Dževada Hoze, na Akademiji likovnih umjetnosti u Sarajevu.
1997 birana je u zvanje asistenta na grupi predmeta na Odsjeku za produkt dizajn na Akademiji likovnih umjetnosti u Sarajevu.
1998. Stiče zvanje magistra grafike, sa odbranom rada na temu „Kreacija kroz litografski tiskovni proces„ koji je ocijenjen najvišom ocjenom.
1999. birana je u zvanje višeg asistenta na predmetu Crtanje na Odsjeku za produkt dizajn na Akademiji likovnih umjetnosti u Sarajevu.
2001. radi na Odsjeku za grafiku na Akademiji likovnih umjetnosti u Sarajevu u svojstvu višeg asistenta na predmetima Crtanje i Grafika.
2005. birana je u zvanje docenta za predmete Crtanje i Grafika na Odsjeku za grafiku na Akademiji likovnih umjetnosti u Sarajevu.
2010. birana je u zvanje vanrednog profesora za umjetničke oblasti Grafike i Crtanja na Odsjeku za grafiku na Akademiji likovnih umjetnosti u Sarajevu.
2011. izabrana za četverogodišnji mandat dekana Akademije likovnih umjetnosti Univerziteta u Sarajevu.
2014. stiče zvanje doktora likovne umjetnosti iz oblasti grafike na Univerzitetu u Sarajevu sa odbranom rada pod naslovom “Uticaj iskustva rada u tradicionalnim grafičkim tehnikama na stvaranje novog izraza kroz digitalni medij kao i na formiranje, razvoj i tok osobnog likovnog i vizuelnog mišljenja”
1993 – 2021. 31 ( trideset i jedna) samostalna izložba u zemlji i inostranstvu. Dobitnik je sedam nagrada i učestvovala je na više od 250 kolektivnih izložbi u zemlji i inostranstvu, internacionalnih, selektivnih grafičkih i ex-libris bijenala i trijenala. Predgovore kataloga i kritike za samostalne izložbe Amele Hadžimejlić pisali su ili javno iznosili Meliha Husedžinović, dr.Sadudin Musabegović, dr.Ibrahim Krzović, dr.Rusmir Mahmutčehajić, dr.Sulejman Bosto, dr.Rešid Hafizović, Aleksandar Adamović, Gradimir Gojer, dr.Aida Abadžić-Hodžić, Ivana Jevđević-Udovičić, Anamarija Stibilj Šajn, Nermin Delić, Slađana Golijanin, Ahmed Burić, dr.Fehim Hadžimuhamedović, dr.Dubravka Lejlić-Pozderac, dr.Edin Pobrić, dr.Ema Božuta Mazrak, dr.Predrag Finci. Njeni radovi se nalaze u 20 umjetničkih kolekcija izvan naše zemlje.
Fehim Hadžimuhamedović, redovni profesor na Akademiji likovnih umjetnosti u Sarajevu gdje predaje kolegij Razvoj oblikovanja I-VI. Posjeduje stepen doktora nauka u oblasti teorije savremene arhitekture. Piše eseje o savremenoj umjetnosti, dizajnu i arhitekturi – specijalno polje interesa je fenomenologija slike i fenomenologija arhitekture. Objavio je četiri knjige, TEKST O ARHITEKTURI (2001), METAFIZIKA KUĆE – Elementi Neba, Vazduha i Zemlje kao percepcijsko naslijeđe vizualnih formi (2008), TEKST O SLICI – Umjetnost kao kultura u nastajanju (2008), TEKST O SLICI – Transcendencija kao bit umjetnosti (2020), te 73 naučna i stručna rada. Kao aktivni dizajner načinio je 128 projekata (sa brojnim realizacijama) u polju arhitekture i dizajna. Njegov je rad obilježen uspostavljanjem veza između osobnih teorijskih projekcija i osobne prakse u polju oblikovanja. Posjeduje 30 godina radnoga iskustva u teorijskoj nastavi oblikovanja na Akademiji likovnih umjetnosti u Sarajevu. Sem na matičnom Univerzitetu u Sarajevu, predaje i na drugim univerzitetima.
Prof. SRDJA HRISAFOVIC DIA; MBS.
Academy of Fine Arts, Obala Maka Dizdara 3, Sarajevo, Bosnia & Herzegovina + 387 61 892 315 s.hrisafovic@alu.unsa.ba; www.alu.unsa.ba
SUMMARY PROFILE 2023:
Over 30 years of experience working as an architect, lighting designer, teaching and applied research.
Authored/co-authored over 40 architectural and lighting design projects published over 30 peer-reviewed publications; articles, chapters and conference papers. Advising local government on matters of lighting and environment policy. Teaching lighting and design at number of universities thought Europe, USA and New Zealand.
SPECIAL EXPERTISE AND RESEARCH:
Architectural lighting; Design With Light and Design With the Sun
ACADEMIC AND PROFESSIONAL QUALIFICATIONS:
1993 Master of Building Science (MBS),
The School of Architecture, Building science, University of Southern California, Los Angeles, USA
LIGHT IN ARCHITECTURAL DESIGN
1987 Diploma in Architecture (DIA),
Academy of Fine Arts, Building science, Copenhagen, Denmark
DAY LIGHT AND PASSIVE SOLAR DESIGN
1980 Graduate Engineer of Architecture (Dipl. Ing. Arch.)
The Faculty of Architecture and Urban Design, University of Sarajevo, BiH
CURRENT POSITIONS:
Vice dean: Academy Of Fine Arts Sarajevo;
Professor: Product Design; Academy Of Fine Arts Sarajevo;
Architect; Lighting Designer: Studio Lightartpro, Sarajevo https://www.lightartpro.com/portfolio
Expert: Light in Design
CURRENT TEACHING RESPONSIBILITIES:
Designing With Light; Materials and Productions, Sustainable Design
CURRENT RESEARCH PROJECTS:
Lighting Design: Energy efficiency and light pollution in architectural lighting
Urban illumination for smart city technologies
Ivan Hrkaš rođen je u Sarajevu 1978. godine. Nakon završene osnovne škole odlazi u Izrael, gdje od 1992. do 1998. godine pohađa Seligsberg gimnaziju u Jerusalemu, koju završava kao đak generacije. Iako je primljen na prestižnu Akademiju likovnih umjetnosti Becalel u Jerusalemu, 1998. godine se vraća u Sarajevo i upisuje Akademiju likovih umjetnosti, smjer grafičkog dizajna. Diplomirao je 2004. godine, a 2011. godine magistrirao iz oblasti Fotografije.
Već u januaru 2005. godine asistent je na predmetu Fotografija u klasi profesora Mehmeda A. Akšamije, u septembru 2011. godine docent, u septembru 2016 van.profesor, a u junu 2022 godine redovni profesor na oblasti Fotografija (Osnovi fotografije I i II i Fotografija I i II). Tokom 2018 godine obavlja dužnost šefa Odsjeka za Grafički dizajn, a od decembra 2021. godine je šef Katedre za Fotografiju i Multimediju. U periodu 2012-2013. godine angažiran je kao gostujući profesor na Visokoj školi za dizajn u Ljubljani (Slovenija). Posljednih 12 godina bavi se sociološkom fotografijom (intima i prostori kolektivnih sjećana), što je i tema njegovog magistarskog rada.
Izlagao je u Bosni i Hercegovini, Austriji, Crnoj Gori, Tunisu, Sloveniji, Srbiji, Velikoj Britaniji, Hrvatskoj, Izraelu, Kini, Meksiku, SAD, te osvojio nagrade na brojnim festivalima. Radio je na organizaciji Festivala Sarajevska Zima i različitim lokalnim, internacionalnim projektima u oblasti kulture i umjetnosti. Trenutno je angažiran na projektu promocije foto-depoa Historijskog muzeja Bosne i Hercegovine. Grafičke radove i fotografije objavljuje kako u lokalnim tako i u inostranim magazinima. U maju 2017. godine izdaje fotografsku, autorsku knjigu pod nazivom “BAMITBAH” (izdavačka kuća KultB), kojoj je istaknuti književnik Miljenko Jergović posvetio kolumnu u Jutarnjem listu (Subotnja matineja), te uvrstio je među 17 najboljih knjiga 2017. godine (na trećem mjestu).
Adla Isanović, PhD is a Professor at The Academy of Fine Arts, University of Sarajevo, where she teaches multimedia.
She holds a PhD in Philosophy from the Postgraduate School ZRC SAZU-, Ljubljana, Slovenia (doctoral study program “Comparative Studies of Ideas and Culture”), where she successfully defended her doctoral dissertation titled “Databases and Art in the Function of Knowledge Production in the Digital Age” (2017). She completed a MA in New Media (Multimedia), Haute école d’arts appliqués, in Geneva, Switzerland (2005), as well as a Research-Based Postgraduate Program Critical, Curatorial, Cybermedia Studies, Ecole supérieure des beaux arts, in Geneva, Switzerland (2005). She completed her undergraduate studies at the Academy of Fine Arts of the University of Sarajevo (2002).
As a guest professor she taught at The Academy of Visual Arts – AVA, Ljubljana, Slovenija (2018), Gray’s School of Art (Robert Gordon University), Aberdeen, UK (2017), School of Arts (University of Nova Gorica) in Slovenia (2014). She also taught at The Academy of Performing Arts, University of Sarajevo (2011-2012), as well as at the International University of Sarajevo (2006-2010). She worked as a researcher / analyst at Mediacentar Sarajevo (2005-2008), as well as the editor-in-chief of the Mediacentar_online web portal (2008).
She was engaged in numerous international and local projects in the culture/ art / design sector. She exhibited in Bosnia and Herzegovina, Austria, Switzerland, Slovakia, Montenegro, Ireland, the Netherlands, Great Britain, Lithuania, Italy, Germany, Greece, France, Canada, Japan, USA, Columbia, etc.
She also participated in a number of local and international research projects, and published several works. Her last book The Regime of Digital Coloniality. Bosnian Forensic Contemporaneity was published by CEEOLPRESS, Frankfurt am Main, 2021. Other more recent publications include: “Archives, Knowledge Production, Politics of In/Visibility, and Bosnian Forensic Reality.” in M.Gržinić, J.Pristovšek, S.Uitz (eds.). Opposing Colonialism, Antisemitism, and Turbo-Nationalism: Rethinking the Past for New Conviviality. Cambridge Scholars Publishing (2020); “Politics and Aesthetics of Databases and Forensics.” in M. Gržinić, A.Stojnić and M. Šuvaković (eds.). Regimes of Invisibility in Contemporary Art, Theory and Culture: Image, Racialization, History. Palgrave Macmillan (2017); “Sarajevo, Rotten Heart of Europe” in M. Gržinić (ed.). Border Thinking: Disassembling Histories of Racialized Violence. Academy of Fine Arts Vienna and Stenberg Press Berlin (2018); “Sarajevo: Politics and Cultures of Remembrance and Ignorance.” AM Journal of Art and Media Studies 14 (2017); “Politika in estetika podatkovnih zbirk in forenzike” in M. Gržinić (ed.). Politika, estetika in demokracija. Uprava ZRC, Ljubljana (2015); “In/Visible: The Political and Sexual Regimes of Databases.” IDENTITIES: Journal for Politics, Gender and Culture (2013); etc.
Fikret Libovac je rođen 1957. godine u Prijedoru. Diplomirao je na Akademiji likovnih umjetnosti u Sarajevu 1984. godine, u klasi profesora Alije Kučukalića. Postdiplomski studij završio je na istoj akademiji 1990. godine. Član je Udruženja likovnih umjetnika Bosne i Hercegovine. Izlagao na brojnim samostalnim i kolektivnim izložbama. Samostalna izložba koju je realizovao u sarajevskoj galeriji “Collegium artisticum“ proglašena je za kulturni događaj 2011. godine. Dobitnik je više priznanja i nagrada za skulpturu, crtež i instalaciju. Živi u Sarajevu i profesor je na Akademiji likovnih umjetnosti u Sarajevu.
Rođena u Cazinu (Bosna i Hercegovina). Studij produkt dizajna i postdiplomski studij završila na Akademiji likovnih umjetnosti u Sarajevu. Diplomirala u klasi profesora Zdenka Praskača 1999.g. Magistarski rad na temu „Dizajn namještaja- Fleksibilnost u stanovanju, fragmenti preostale slobode“ odbranila 2008. g. pod mentorstvom prof. Zlatka Ugljena i prof.dr. Fehima Hadžimuhamedovića.
Od oktobra 1999.g. zaposlena na Akademiji likovnih umjetnosti, kao asistent, na predmetima Industrijsko oblikovanje, Unikatno oblikovanje i Teorija prostora. U periodu od 1999.g. do 2003.g. radi kao asistent na sva tri predmeta. Od oktobra 2003.g. radi kao asistent na predmetu Industrijsko oblikovanje. Na istom predmetu je izabrana u zvanje višeg asistenta, docenta i 2016.g. u zvanje vanrednog profesora. U periodu od 2011. do 2013.g. obavljala je dužnost šefa Odsjeka za produkt dizajn.
Autor je Udžbenika za likovnu kulturu od I- IV razreda osnovne škole, te Udžbenika za likovnu kulturu od I-V razreda devetogodišnje osnovne škole i Udžbenika za likovnu kulturu za IX razred devetogodišnje osnovne škole, zvanično odobrenih od Federalnog ministarstva obrazovanja i nauke za upotrebu u školama u Bosni i Hercegovini. Radove izlagala na brojnim međunarodnim selektivnim izložbama dizajna.
Značajnije izložbe:
2015 Izložba dizajnerskih projekata za firmu Rukotvorine/Zanat, Imm Cologne – Pure Village, Imm Cologne 19-25.01.2015
2013 The Next Wave: Industrial Design Innovation in the 21st Century, Washington DC, izložba dizajnerskih projekata
2012 ICFF New York 2012, Manulution, Izložba dizajnerskih projekata za Rukotvorine/Manulution, New York, U.S.A.
2012 Pure Village, IMM Cologne, Izložba dizajnerskih projekata za Rukotvorine/Manulution, Koeln, Njemačka
2012 Boulevard of Innovations, izložba dobitnika Interior Innovation Award 2012, IMM Cologne, Koeln, Njemačka
2011 COULEUR LOCALE – The Colours Of Europe In Objects, Identitet evropskih zemalja predstavljen kroz dizajnerske projekte, Budapest DesignWeek, Budimpešta, Mađarska
2011 ICFF New York 2011, Manulution, Izložba dizajnerskih projekata za Rukotvorine/Manulution, New York, U.S.A.
2011 BiH paviljon, IMM Cologne 2011, Izložba dizajnerskih projekata za Rukotvorine/Manulution, Konjic i Arteco, Tešanj
2007 Jasna Mujkić, Field Armchaire, Salone Satellite 2007, Samostalno predstavljanje dizajnera na Međunarodnom sajmu namještaja u Milanu, avangardni salon za mlade dizajnere
Dobitnik je međunarodne nagrade „Interior Innovation Award – IMM 2012“, Koeln, Njemačka.
Rođena 1980. u Sarajevu, Jasmina je magistrirala na Okinawa prefekturalnom univerzitetu umjetnosti u Japanu i magistrirala na LSE-u. Doktorirala je teoriju umjetnosti i medija na Univerzitetu umetnosti u Beogradu 2014. godine na temu ‘Politike sjećanja u vizuelnim umjetnostima–Savremena umjetnost Okinawe i Bosne i Hercegovine’ pod mentorstvom prof. dr Milene Dragićević-Šešić. U svom radu se bavi pitanjima kolektivnog i individualnog identiteta, rodnim nasiljem, transgeneracijskim prijenosom trauma u vizualnim umjetnostima u Bosni i Hercegovini, Japanu (Okinawa) i Belgiji. Jasmina radi kao vanredna profesorica na Nastavničkom odsjeku Akademije likovnih umjetnosti Univerziteta u Sarajevu. Bila je međunarodni istraživač Japanskog društva za promicanje znanosti na Univerzitetu Doshisha, Fakultet za studij javnih politika u Kyotu (2018./2020.).
Odabrane publikacije:
Gavrankapetanović-Redžić, J. (2023). In the Shadow of Genocide: Mothers of Srebrenica and New Social Power. In: Arıboğan, D.Ü., Khelghat-Doost, H. (eds) Constructing Motherhood Identity Against Political Violence. Contributions to International Relations. Springer, Cham. https://doi.org/10.1007/978-3-031-36538-6_9
Gavrankapetanović-Redžić, J. (2019) “Cultural Capital in Times of Crisis: The Fragmentation of Sarajevo’s Post-war Cultural Elite” [Kulturni kapital u doba krize: Fragmentacija sarajevske poslijeratne kulturne elite] in Southeastern Europe, Vol.43(2) 2019.1–26. DOI 10.1163 /18763332-0430200. Napomena: recenzirani časopis.
Gavrankapetanović-Redžić, J. (2018) “Post-genocide Bosnian (Muslim) Female Identity: Visualizing motherhood, violence and sexuality” [Post-genocidni identitet bosanskih (muslimanskih) žena: Vizualizacija majčinstva, nasilja i seksualnosti] In: Acta Universitatis Carolinae Studia Territorialia. Volume XVIIII, nr. 2: 63-88. DOI: 10.14712/23363231.2019.12. Napomena: recenzirani časopis.
Gavrankapetanović-Redžić, J. (2018) “Culture, Memory and Collective Identities in the (Re) Making: The National Museum of Bosnia and Herzegovina” [Kultura, sjećanje i kolektivni identiteti u (ponovnom) stvaranju: Zemaljski muzej Bosne i Hercegovine]–The Slavic-Eurasian Research Centre, Hokkaido University, Acta Slavica Iaponica Tomus 39, pp. 71-90 ISSN 0288-3503. Napomena: recenzirani časopis.
Umjetnički portfolio: www.gavrankapetan.weebly.com
Rođena u Mostaru 1986. godine. 2008. diplomirala na Odsjeku likovnih umjetnosti na Nastavničkom fakultetu Univerziteta „Džemal Bijedić“ u Mostaru, magistrirala 2012. na postdiplomskom studiju Slikarstvo na Akademiji likovnih umjetnosti u Sarajevu. Članica Udruženja likovnih umjetnika Bosne i Hercegovine od 2009. Tečno govori engleski jezik te se služi španskim. Aktivno se bavi umjetničko-istraživačkim radom – izlagala i objavila stručne radove iz polja likovnih tehnologija u Bosni i Hercegovini, Srbiji, Crnoj Gori, Nizozemskoj, Španiji, Portugalu. Među ostalim, dobitnica nagrade “Salon mladih Bosne i Hercegovine” 2009 godine / Grand prix za crtež. Autorica knjige “Sintetička tehnologičnost u savremenoj umjetnosti” iz 2015. godine koja je uvrštena u obaveznu literaturu na Akademiji likovnih umjetnosti u Sarajevu i Univerzitetu “Džemal Bijedić” u Mostaru.
Od 2008-2014 radila na Univerzitetu “Džemal Bijedić” u Mostaru – Odsjek likovnih umjetnosti Nastavničkog fakulteta, na predmetima iz oblasti Tehnologija umjetnosti i oblasti Crtanje i slikanje. Od 2017. radi na Akademiji likovnih umjetnosti Univerziteta u Sarajevu, u zvanju vanredne profesorice za predmete iz oblasti likovnih tehnologija.
Izdato je prošireno, dvojezično izdanje knjige “Sintetička tehnologičnost u savremenoj umjetnosti / Synthetic Technologicality in Contemporary Art”, izdavač: Univerzitet u Sarajevu – Akademija likovnih umjetnosti, novembar, 2021.
Knjigu možete pogledati ovdje:
Link
Amer Mržljak was born in 1973 in Sarajevo. He graduated from the Department of Graphic Design at the Academy of Fine Arts in Sarajevo and earned his master’s degree in the same department in 2016. Since 2019, he has been engaged at the Academy of Fine Arts, currently holding the position of an Associate Professor.
He has worked as an art director within creative teams at Design Trio Sarajevo and the marketing agency Fabrika. Throughout his professional career, he has been involved in numerous socially engaged, cultural, and commercial projects, contributing to the creation of various publications. He has particularly been active in the field of advertising, participating in the making of numerous campaigns for both domestic and international clients.
Amer Mržljak has received several domestic and international awards and recognitions.He is the author of five solo exhibitions and has participated in several group exhibitions in Bosnia and Herzegovina, Croatia, Germany, Serbia, Slovenia, Turkey, and Japan.
His works have been published in various international magazines specializing in visual communications and arts, including “Print Magazine,” “How Magazine,” “Step Inside Design Magazine,” as well as publications such as “Innovative Promotions that Work” and “Anatomy of Design: Uncovering the Influences and Inspirations in Modern Graphic Design.”
Admir Mujkić, rođen 1972. godine u Sisku, Hrvatska. Diplomirao na Akademiji likovnih umjetnosti u Sarajevu, Odsjek za grafiku, u klasi profesora Dževada Hoze. Na istoj akademiji završio i postdiplomske studije gdje predaje na predmetima Grafika i Grafička tehnologija.
Renata Papišta born 1981. in Sarajevo, Bosnia and Herzegovina.
Works in various media: Printmaking, Drawing, Photography, Handmade paper, but use site-specific wall installation as well.
In 2006, she graduated from the Academy of Fine Arts, at the Printmaking department where she completed her postgraduate studies in experimental printmaking 2009.
Her artwork has been exhibited at the biennials, triennials, and art festivals in Bosnia and Herzegovina and abroad. Most valued presentations of this artist, however, were given through the 24 solo exhibitions and over 120 group exhibitions, while the 6 prizes are considered representative acknowledgments of her contribution to the art. She led a workshop on experimental printmaking in the most important art Centres and Academies in Slovenia, Macedonia, Bosnia and Poland. In 2018., she was nominated for the prestigious Queen Sonja Printmaking Award by the International Graphic Art Centre in Ljubljana.
From 2010.works at the Academy of Fine Arts in Sarajevo, Department of Printmaking.
Kontakt:
Obala Maka Dizdara 3, 71000 Sarajevo, Bosna I Hercegovina
parenci@hotmail.com
www.behance.net/papistarenata
Dubravka Pozderac-Lejlić je vanredna profesorica na Akademiji likovnih umjetnosti Univerziteta u Sarajevu, na Katedri za teoriju i historiju umjetnosti, gdje predaje kolegije iz oblasti estetike i teorije umjetnosti. Doktorirala je na Odsjeku za filozofiju Filozofskog fakulteta Univerziteta u Sarajevu. Kao vanjski suradnik predavala je na Nastavničkom fakultetu Univerziteta Džemal Bijedić u Mostaru u periodu 2011-2018. Sudjelovala je na brojnim međunarodnim i domaćim znanstvenim skupovima i umjetničkim projektima, te objavila više znanstvenih i stručnih radova.
Daniel Premec (1976, Sarajevo, Bosnia and Herzegovina) visual artist.
Education: 2012., PhD / student of Arts – Department of Sculpture , Faculty of Fine Arts , University of Arts in Belgrade Serbia. 2008., MFA / Academy of Fine Arts, University of Sarajevo, Department of Sculpture, B&H. 2001., BFA / Academy of Fine Arts, University of Sarajevo, Department of Sculpture, B&H. 1994., School of Applied Art, Department of Sculpture, Sarajevo, B&H.
Through solo and group exhibitions he has been actively participating in the local and international contemporary art scene since 1994.
He uses a variety of media, including sculpture, installations, objects, performance and video. Participant in numerous exhibitions and receiver of several prestigious awards and scholarships, his works are included in museum and private collections. Member of Artists Association of Bosnia and Herzegovina, since 2003.-2015. Member of the Board of the Association of Visual Artists of Bosnia and Herzegovina (ULUBIH) since 2006. vol. until 2009. President of the Arts Council ULUBIH’s from 2010. until 2014. Member of the Association for Culture and Art Crvena, since 2013. Daniel Premec has been in the Artnaut since 2015.U.S.A. Daniel is currently working as professor at the Academy of Fine Arts Sarajevo, Department of Sculpture, B&H.
Web site: www.premecdaniel.com
E-mail: premecdaniel@gmail.com
Rođen 1973. godine u Zrenjaninu. Osnovnu i srednju školu završio je u Sarajevu. Diplomirao 2001. godine na Akademiji likovnih umjetnosti Univerziteta u Sarajevu, Odsjek kiparstvo, u klasi profesora Mustafe Skopljaka. Magistrirao na istom odsjeku 2007. godine, na temu “Tehnifikacija materijala u savremenom kiparskom izrazu“.
Od 1998. godine aktivno učestvuje na domaćim i međunarodnim izložbama, umjetničkim kolonijama i simpozijima skulpture, projektima konzervacije i restauracije (značajan projekat – k/r Ferhadija, Banja Luka) , te u realizaciji pozorišne i filmske scenografije. Od 2002. godine član je Udruženja likovnih umjetnika Bosne i Hercegovine.
Na Akademiji likovnih umjetnosti Univerziteta u Sarajevu radi od 2002. Godine, trenutno u svojstvu vanrednog profesora na oblasti Kiparstvo i Interdisciplinarnom studiju konzervacija i restauracija.
Dobitnik nekoliko značajnih nagrada iz oblasti likovne umjetnosti:
Nela Hasanbegović M.F.A., was born in Sarajevo (1984) where she completed primary education, and then secondary education at the School of Applied Arts. Graduated at the Sculpture Department, Academy of Fine Arts in Sarajevo 2007. MFA studies completed at the same department 2010. She has been working at the Department of Art Education at the Academy of Fine Arts University of Sarajevo since 2012. Currently is assistant professor in the field of Methods of Art Education. Currently is PhD candidate at the Faculty of Fine Arts in Belgrade, on third-year of studies and student of the second-year on interdisciplinary doctoral studies at the Faculty of Educational Sciences, University in Sarajevo. She exhibited her artworks at 131 international and domestic group exhibitions and realized 23-solo exhibitions in Bosnia and Herzegovina and abroad. Her artworks are included in important museums and private collections. She has given talks at numerous panels and presentations, and held several lectures. She has published several papers and participated in many symposia, artist colonies and residency programs, and she has won several prestigious awards and scholarships. She is a member of the several Associations of Artists in Bosnia and Herzegovina and abroad. Special areas of her research interest include three-dimensional and multidisciplinary art as well as teaching process at all levels of education, with an emphasis on the Methods of Art Education.
E:nelahasanbegovic@gmail.com | www.nelahasanbegovic.com
Monograph: https://ugbih.ba/archive/wp-content/uploads/2022/12/Nela-Hasanbegovic_EBook-compressed.pdf
Lea Jerlagić was born in Sarajevo in 1984, where she completed most of her education. She graduated from the Academy of Fine Arts in Sarajevo.
In 2007 as a recipient of a scholarship from the Chinese Government in 2007, Lea studied at the China Academy of Art in Hangzhou, in the class of professor Zhang Xiaofeng, for two years. There she studied Chinese culture, language and the Chinese woodblock printing technique, which left a significant imprint on her future work.
She received the master’s degree from the Academy of Fine Arts in Sarajevo 2013, in the class of professor Salim Obralic. Her final project, entitled ‘Synaesthesia’ studies the phenomenon of transformation of the impulse received through one sense and expressed through another. She focuses on a contemporary dance experience (actively dancing herself at the time) as a visual record in a form of drawing and Chinese woodblock prints.
Her creative work is a continuous fusion of seemingly separate and irreconcilable aspects of existence, different cultures, media of expression – all with the goal of deeper penetration into the mysterious inner world of a human being and one’s own connection to the macrocosm.
She devoted a large body of work to the sacred erotic art, inspired by tantric and Taoist writings, as well as her own spiritual practice. She is constantly searching for a way to integrate knowledge into her own artistic expression. Recently, she has been experimenting with digital media where she tries to connect the skill that comes from the tradition with the possibilities offered by new technologies.
She participated in numerous exhibitions in the country and abroad, and is a winner of several awards. Lea is employed at the Academy of Fine Arts in Sarajevo.
Na Filozofskom fakultetu Sarajevo stekla zvanje bakalaureat filozofije i komparativne književnosti (2009.), okončala master studij filozofije – znanstveni smjer (2011.), te odbranila Doktorsku disertaciju i stekla zvanje doktora filozofskih nauka (2018.).
Tokom studija sudjeluje u evropskim programima i projektima za razmjenu studenata/tica (DAAD, WUS Austria). Zbog uspjeha na studiju dva puta je nagrađena „Zlatnom značkom Univerziteta u Sarajevu“ (2009. i 2011.), „Plaketom Filozofskog fakulteta u Sarajevu“ (2009.), stipendijom iz fonda „Suada Dilberović“, te počasnim priznanjem fondacije “Karim Zaimović” (2008.).
Učestvovala je na znanstvenim konferencijama, objavljivala tekstove u znanstvenim časopisima, časopisima za kulturnu, društvenu i umjetničku kritiku, u BiH kao i u regiji. Sudjeluje u mnogim znanstvenim i umjetničkim projektima, projektima koji promiču kritičku diskusiju, pisanje o društveno-političkoj zbilji ili savremenoj umjetnosti, ili onim koji zagovaraju izlazak filozofije izvan učionica. Otvorila je uz kritički osvrt nekoliko izložbi.
Pohađala je program Pedagoškog obrazovanja nastavnika na Odsjeku za pedagogiju Filozofskog fakulteta u Sarajevu (2011./12.), te program obuke mlađeg akademskog osoblja na Univerzitetu u Sarajevu – TRAIN (2013.).
Jedna je od osnivatelja Udruženja dobitnika Zlatne značke Univerziteta u Sarajevu, te potpredsjednica u periodu od 2013. do 2016. godine. Članica je Udruženja za promicanje kulture i mišljenja Sofia od 2019. godine. Jedna je od osnivatelja časopisa za humanističke i društvene znanosti Udruženja Sofia – „A priori“, te članica Uređivačkog odbora časopisa.
Od 2013. je zaposlena je kao Asistentica za oblast Estetika na Akademiji likovnih umjetnosti Univerziteta u Sarajevu. 2017. je promovirana u zvanje Više asistentice, a 2022. u zvanje Docentice.
Adi Karailo was born in 1990 in Sarajevo (Bosnia and Herzegovina). He is a graduate of the Academy of Fine Arts (University of Sarajevo), where he earned both a BFA and an MFA in Painting under the mentorship of prof. Nusret Pašić. He has exhibited his works at solo exhibitions and he is actively participating in numerous local and international group shows. Member of The Artists Association of Bosnia and Herzegovina, since 2013. He lives and works in Sarajevo.
Nataša Perković is a product designer from Sarajevo. She holds a graduate and a postgraduate degree from the Department of Product Design at the Academy of Fine Arts in Sarajevo, where she teaches Artistic Design, a class founded by Academician and Professor Emeritus Zlatko Ugljen and led by Professor Emerita Ognjenka Finci.
She took her first professional steps at The Partners in London and at Cittadellarte – Fondazione Pistoletto in Italy. She has collaborated with the Royal College of Art Helen Hamlyn Centre for Design in London. She worked as a design associate at Kyoto Institute of Technology D-Lab.
Through her design practice, Studio Nataša Perković, she collaborates with manufacturers from Bosnia and Herzegovina and the region. She has exhibited extensively and globally.
Among awards Nataša’s products have received are Red Dot Design Award, D&AD Best New Blood, Imm Cologne ICONIC Interior Innovation Award, German Design Award Special Mention, Grand Prix Collegium Artisticum, Belgrade Furniture Fair Golden Key, BIG SEE Grand Prix for Product Design, as well as the Balkan Architectural Biennale Grand Prix for Furniture Design.
She aims to develop products of high aesthetic value and to produce then in an innovative and sustainable way. She nurtures a restrained aesthetic that is not a subject to changing trends, in the hope that people will enjoy her products for many years. Elle, a collection of dining room furniture Nataša Perković developed for GoEs (former MS & Wood) is the most highly awarded designer product in Bosnia and Herzegovina.
Portrait: Haris Adžem
Dejan Slavuljica je rođen u Tuzli 14.2.1976. godine.
Osnovnu školu “Džemal Mandžić“ i Srednju mašinsku školu završava u Tuzli. Akademiju likovnih umjetnosti u Sarajevu, Odsjek za grafički dizajn, upisuje 2002. godine i završava je kao student generacije.
Nakon završenog studija radi samostalno kao free lance dizajner i upisuje postdiplomski studij na Akademiji likovnih umjetnosti Sarajevo. Projekti ga sve češće upućuju i vezuju za agenciju “Fabrika“ iz Sarajeva, za koju se profesionalno i vezuje u narednom periodu. Početkom ljetnog semestra 2013. godine, prelazi na Akademiju likovnih umjetnosti u Sarajevu, kao asistent na predmetima Uvod u grafički dizajn I i II i Grafika knjige, kod prof. mr. Amre Zulfikarpašić.
Od malih nogu je aktivno zainteresovan za likovni svijet, djeluje instinktivno i uključuje se samostalno u različite projekte iz struke. Takav pristup kreativnom problemu ga povezuje sa velikim brojem interesantnih projekata, koji su ga od amaterske osnove doveli do profesionalne definicije. Istražujući različite mogućnosti grafičkog dizajna, poseban senzibilitet i interesovanje razvija prema ilustrativnom izrazu po čemu je postao i prepoznatljiv. 2016 godine magistrira sa radom „Kako nastaje ilustracija“, a od 2022 – 23 školske godine u zvanju docenta izvodi nastavu na predmetu Ilustracija.
Izlagao je na dvadeset samostalnih i velikom broju kolektivnih izložbi, u rodnom gradu, državi i inostranstvu. I pored toga što je diplomom grafički dizajner, radovi koje je izlagao bili su i crteži, skulpture, slike, fotografije i drugi oblici likovnog izraza.
Anja Bogojević (Mostar, 1985) is an art historian and curator who explores issues of socially engaged art and public space in contemporary tendencies in theory and art. She completed her undergraduate and graduate studies in Art History and Comparative Literature at the University of Sarajevo, Faculty of Philosophy. Since 2011, she has been working at the Academy of Fine Art University in Sarajevo as a senior assistant on courses in modern and contemporary art. She is currently a doctoral student in Cultural Studies at the Josip Juraj Strossmayer University of Osijek (Croatia).
Together with Amila Puzić and Mela Žuljević, she co-founded the art and curatorial production platform ABART (2009–2013), and from 2016 she runs the MART Association for Contemporary Curatorial and Artistic Practice together with Amila Puzić. Her acclaimed curatorial projects include – solo exhibition STENA DANICA, artist Danica Dakić, Roda Sten Konsthall Goteburg, (Sweden, 2023), Programme of celebrating 50th anniversary of Academy of Fine Arts, Univeristy of Sarajevo (2022), Pavilion of Bosnia and Herzegovina ‘Zenica-Trilogy’ (artist Danica Dakić) at 58th Venice Biennale (Italy 2019), Here and Elsewhere (Austria, B&H 2016–2017), Bauhaus Goes South-East Europe (Germany, B&H, 2013–2015), Amnezion: A Collaborative Course for Rethinking the Public (2012), (Re)collecting Mostar (2011), and Art in Divided Cities (2009). She has collaborated on regional and international projects and exhibitions, including Arts, Crafts & Facts by Maja Bajević for All the World’s Futures, the central exhibition at the 56th Venice Biennale (Italy 2015), Images of Our Time at the Pera Museum Istanbul (Turkey, 2015), Individualne utopije nekad i sad – City Log Sarajevo, SCCA, STEALTH.unlimited, (B&H, 2012), and the First Biennial of Contemporary Art Time Machine – No Network (curated by Branislav Dimitrijević and Petar Ćuković) in Konjic (B&H, 2011). She has participated in numerous seminars and conferences on museology and curatorial practices, including Public Art and New Artistic Strategies (Weimar, 2015.), Former West: Learning Place (Berlin, 2013), CIMAM Conference – Museums Beyond the Crises (Istanbul, 2012), CIMAM Conference – post conference trip to Sarajevo (2011). Anja Bogojević lives and works in Sarajevo.
Amila Handžić Ferović rođena je 1984. godine u Sarajevu.2009. godine diplomirala je na Odsjeku za grafički dizajn na Akademiji likovnih umjetnosti Univerziteta u Sarajevu.Za zapažene rezultate postignute tokom studija, 2010. godine dobila je “Zlatnu značku Univerziteta u Sarajevu”. U junu 2013. stekla je zvanje master teoretičar umjetnosti i medija na Univerzitetu umetnosti u Beogradu.Od 2016. godine pohađa Poslijediplomski sveučilišni studij Kulturologija, kolegij Informacija i komunikacija u kulturi, modul Medijska kultura – istraživanje medija na Poslijediplomskom sveučilišnom doktorskom studiju Sveučilišta Josipa Jurja Strossmayera u Osijeku.Od 2011. godine radi kao Asistentica na predmetima Razvoj oblikovanja I-IV na Katedri za teoriju i historiju umjetnosti Akademije likovnih umjetnosti u Sarajevu. U zvanje Više Asistentice promovirana je 2016. godine. Područje interesa: Teorija i historija dizajna.
Ira Skopljak-Viteškić was born in Sarajevo.
Graduated from the Lyceum of Applied Arts in Sarajevo, Department of Textile Design. Graduated in 2010 from the Academy of Fine Arts in Sarajevo – Bachelor of Fine Arts. In 2016 she successfully defended her master’s thesis, under the mentorship of prof. Zoje Finci, prof. Ivo Simčić and prof. Mirsad Begović.
Since 2012, she has been working as an Assistant Professor/Senior Assistant Professor at the Academy of Fine Arts for the following subjects: Art Technology I and II, Painting Technology I and II, Wall Painting Technology, Essentials of Painting Technology, Essentials of Arts Technology, Contemporary Painting Methods and Materials, elective subjects of the Conservation I and II, Technology – Anatomy of Artifacts.
Ira Skopljak-Viteškić enrolled in post-graduate doctoral studies at ARS SACRA University at the Academy of Fine Arts in Mostar Široki Brijeg in 2017, where she is currently working on an internship in technological sciences for the field of art – art technology – conservation of art pieces. Ira has exhibited in numerous group exhibitions, symposia, art colonies as well as in the country and abroad. Ira has participated in important workshops related to art technologies. Her aspect of artistic work is based and inspired by the technological symbolism of painting.
Brief overviews of participation and significant exhibitions:
Darko Stanić rođen u Sarajevu 1978 godine. Završio Školu primjenjenih umjetnosti u Sarajevu 1997 godine. Diplomirao na Akademiji likovnih umjetnosti u Sarajevu 2002 godine na Odsjeku za kiparstvo u klasi profesora Mustafe Skopljaka kao student generacije i dobitnik nagrade „Alija Kučukalić“. Magistrirao na istom odsjeku na Akademiji likovnih umjetnosti u Sarajevu 2008 godine sa najvišim uspjehom. Član je ULUBIH-a od 2002 godine. Trenutno radi kao viši asistent na Akademiji likovnih umjetnosti u Sarajevu na Odsjeku za kiparstvo. Izlagao na mnogim izložbama, bijenalima i umjetničkim festivalima u zemlji i inostranstvu. Dobitnik je brojnih priznanja za svoj umjetnički rad od čega dvije domaće i dvadeset devet međunarodnih nagrada.
Nedim Šećeragić je diplomirao 2016. na odsjeku Grafika u klasi profesorice Amele Hadžimejlić-Kečo. Kao student dobitnik je više nagrada iz oblasti grafike, videa i kratkog filma.
Od 2014. se bavi motion designom, UX/UI designom i concept designom (hard surface) prvenstveno u entertainment i gaming industriji. Iskustvo stiče u firmama: Purple Key, Blow Up, Meta Software Solutions, Shapeshifter Concepts, Midwinter Entertainment.
Trenutno radi kao 3d modeler i texture artist u Kitbash3D-u.
Nedim Šećeragić predaje na Akademiji Likovnih Umjetnosti u Sarajevu, oblast Multimedija.
Rođen u Sarajevu 1995. godine.
Nakon osnovne škole, od 2010. do 2014. godine, pohađa Prvu Bošnjačku gimnaziju Sarajevo curiculum B, te posjeduje srednjoškolsku diplomu Gimnazije, ali i University of Cambridge International General Certificate of Secondary Education.
Tokom srednje škole počinje se baviti muzikom i osim sviranja, autor je muzike za predstave, kratke dokumentarne filmove i reklame.
2014. upisuje Akademiju likovnih umjetnosti na odsjeku za Grafički dizajn. Tokom studija otkriva naročiti interes za primjenu fotografije u grafičkom dizajnu i to postaje njegovo primarno stilsko opredjeljenje. Na taj način realizovan je njegov završni rad „Naslovnice tragedija William Shakespeare -a“ pod mentorstvom profesora na predmetu Fotografija cpHd Mehmeda Akšamije.
Studij završava 2018.
Aktivno se bavi fotografijom i dizajnom za teatar u vidu vizualnog identiteta predstava i fotografije kao i fotografijom muzičke scene u regionu i dizajnu naslovnica albuma nezavisnih izvođača.
Biografske podatke možete preuzeti na narednom linku:
https://bit.ly/2MHT3W8
Irfan Handukić je rođen 1950. godine u Bihaću. Pedagoški fakultet, odjel grafike diplomirao u Rijeci HR, 1979. Na ALU Sarajevo završio postdiplomski studij i magistrirao na odsjeku grafike. Doktorirao je2008.godinena Filozofskom fakultetu u Sarajevu. Redovni profesor na ALU Sarajevo, predmet: Metodika likovne kulture i umjetnosti. Do sada je izlagao na preko 150 kolektivnih i četrdeset samostalnih izložbi u zemlji i inozemstvu. Dobitnik je više nagrada i priznanja za grafiku i slikarstvo. Objavo je veliki broj stručnih radova i dvije knjige: ,„Metodika i kultura lik.odgoja“, “Grafika u lik-pedagoškm radu“. Voditelj je magistarskih i doktorskih studija na drugim univerzitetima u BiH.
Anur Hadžiomerspahić, grafički dizajner, diplomirao je na I.E.D. Evropskom institutu za dizajn u Milanu i Akademiji likovnih umjetnosti Brera u Milanu.
Dobitnik je nagrade Epica Winner 2001. u Parizu na festivalu Epica Awards – Europe’s Creative Awards za kampanju “Računaj na mene” Iskraemeco.
Učesnik je Centralne izložbe 49. Venecijanskog Bijenala 2001. na poziv selektora bijenala Haralda Szeemanna na kojoj se predstavlja sa svojom serijom plakata “Human Condition”. Prvi serijal plakata “Human Condition” izlaže 1996. godine u Milanu, i tu vrstu umjetničkog izraza u kojem koristi medij advertisinga da odašilje socijalno angažovane poruke naziva Artvertising.
Izlaže u javnim prostorima, tržnim centrima i supermarketima, te 2009. godine postavlja izložbu u supermarketu COOP u Veneciji za vrijeme šestomjesečnog trajanja Venecijanskog Bijenala.
Dobitnik je mnogih internacionalnih i nacionalnih priznanja u polju dizajna i advertisinga kao što su: 1998. Golden Drumsticks (Portorož -Golden Drum Advertising Festival of the New Europe), 1998. Golden Light, Specijalna nagrada za najbolju ideju (Portorož – Golden Drum Advertising Festival of the New Europe), 1998. Epica Finalist (Epica Awards – Europe’s Creative Awards), 2000. Epica Finalist, (Epica Awards – Europe’s Creative Awards), 2000 Gradn Prix za Art direction (Festival Advertainment – Milano)…
Anur je Kreativni direktor Reklamne agencije Ideologija (ex Kreativni Centar Cardea).
Wikipedia:
https://en.wikipedia.org/wiki/Anur_Had%C5%BEiomerspahi%C4%87
Radoslav Tadić je rođen 1946. godine u Sarajevu. Diplomirao je na Akademiji likovnih umjetnosti u Sarajevu 1976. te magistrirao na Akademiji likovnih umjetnosti u Ljubljani 1978. Učestvovao je na mnogobrojim samostalnim i grupnim izložbama u zemlji i inostranstvu. Jedan od osnivača Jugoslovenskih dokumenata. Njegov rad bio je uvršten u poznate projekte Grafička mapa 1992 i Svjedoci postojanja koji su prikazani širom svijeta. Primio je brojne nagrade poput: Grand Prix – Collegium Artisticum 1999, Nagrada za najbolji crtež Anale Crteža Mostar 2003. i 2004, Nagrada za najbolju skulpturu Collegium Artisticum 2004. itd.